![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/30.powerwater.jpg)
![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/029.Powerwater.jpg)
![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/026.%20Everyting%27s.jpg)
![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/out-to-dry.jpg)
![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/019.Cup%20holder.jpg)
![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/015.Whisper.jpg)
![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/014.Whisper.jpg)
![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/016.Omikuji%20express.jpg)
![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/011.Sanctum.jpg)
![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/012.Sanctum.jpg)
![](https://martinboyle.net/content/2-exhibition/6-everytingsconnected/009.Probably%20Unique.jpg)
Everyting’s connected
Art Centre Ongoing
Tokyo, Japan.
2014
The work draws slightly misguided and absurd conclusions based on my cultural perceptions of Japanese daily life. In absence of a comprehensible language, with many times left visually trying to understand, resulted in creating creating one whole, with many holes.